There are materials that seem exhausted before we even take the time to truly look at them. Paper could easily be one of them: ordinary, fragile, destined to disappear.

Grief is a universal experience, but it is not always portrayed in the same way. In film, many stories tend to approach it from an adult perspective, where emotions can be named, organized, and, to some extent, understood. However, when that loss is filtered through the eyes of a child, the process becomes much more diffuse, filled with silences and indirect ways of understanding what is happening. Imagination can then become a tool for coping with a pain that has not yet found words.

As Madrid welcomes the spring season, Bresh, globally recognized as “the most beautiful party in the world’’, introduces an innovative concept that redefines its signature experience in the city.

Any Spanish film fan is experiencing an emotional hangover these days because the Goya Awards have already taken place, which means the 2026 awards season in our country has already come to an end. Having friends who love film and experiencing it with them is almost as important as watching the films themselves:

The Malaga Film Festival started last friday with a red carpet full of stars, such as Carmen Maura, Álvaro Cervantes, and María León. Last year's opening film was 'La Deuda', which dealt with the theme of old age, but not in the same way as 'Calle Málaga', the opening film of this 29th edition.