RIVERLAND FEST 2026: WOMEN RESHAPING THE SPANISH MUSIC INDUSTRY

These days, urban music is not just about trap. The genre has exploded in a thousand different directions and has ended up blending with pop, electronic, indie, hyperpop, or R&B, becoming more of a way of understanding music than a specific style. Amid this paradigm shift, few festivals have been able to interpret the present and anticipate the future as accurately as Riverland Fest.

From August 21 to 23, Arriondas will once again host a new edition of the festival featuring more than seventy artists spread across three days. But to reduce Riverland to a list of names would be to lose sight of what truly sets it apart. While other festivals build their lineups around the biggest hits of the moment, Riverland has for years been betting on artists who are just taking off on the scene. Its programming works as a cultural radar: many of the artists who performed on its stages when they were just starting out are now among the essential names in Spanish music. The Rookies section spotlights names like Yung Brandy, Nico, Semon, and Bby Demon, and it is a statement of intent that makes discovery an essential part of the experience.

In this edition, the festival brings together artists as diverse as Ralphie Choo, Amore, Hoke, and Natalia Lacunza. These artists are capable of blurring the lines between genres and demonstrating that urban music can no longer be understood through rigid labels. Here, avant-pop, experimental reggaeton, rap, electronic music, and alternative pop coexist without needing to justify their presence: they are all part of the same conversation.

The prominence of women on the lineup is also significant. For years, urban festivals were marked by a clear male majority, but Riverland paints a picture much closer to the reality of today’s scene. Chilean artist Akriila has become one of the most inspiring voices in Latin urban music thanks to a sound that blends rap, electronic music, and an almost confessional sensibility. Amore, for her part, represents that new wave of Spanish alternative pop that has found its greatest strength in vulnerability and experimentation. Juicy Bae has established a universe of her own where R&B, trap, and reggaeton coexist from a deeply personal perspective.

This diversity continues with artists such as Bea Pelea, a key figure for understanding the evolution of urban music in Spain; Metrika, one of the most irreverent and magnetic names of the new generation; and Rebe, who has already become a leading figure in the national underground scene. Joining them are international acts such as Argentina’s Six Sex, who takes reggaeton and electronic music into radically club-oriented territory, and Taichu, one of the most influential artists of Argentina’s new wave. Rounding out this mosaic is Iza TKM, one of the highlights of the Rookies section, reflecting Riverland’s commitment to spotting talent before it makes the definitive leap. More than just a matter of representation, the lineup demonstrates that some of the most innovative acts on the current scene are being led by women, each with a completely distinct artistic vision and sound.

This diversity is also evident in the festival’s growing international reach. The presence of artists from Chile, Argentina, Mexico, or Guatemala confirms that the Spanish language urban scene now transcends borders.

Riverland Fest has become a place to see where a new generation of artists is headed. A generation that no longer distinguishes between underground and mainstream or between pop and urban. It is a showcase for the music of the future and proof that labels matter less and less compared to identity, experimentation, and creative freedom.


Words by @joaquinxbc

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FROM TIKTOK TO THE MUSIC STAGE: AN IN-DEPTH INTERVIEW WITH LAUTY GRAM